more from
Planet Mu
We've updated our Terms of Use. You can review the changes here.

Red, White & Zero

by East Man

supported by
Jascha Narveson
Jascha Narveson thumbnail
Jascha Narveson The differences between US rap and UK grime are so interesting. I love the more obvious Jamaican influences in this style, and the more syncopated and complex rhythms that come from 90's jungle. This album is urgent, claustrophobic, nimble, and sounds at once pared down and complex. So good. Favorite track: Cruisin'.
grysom thumbnail
grysom When I first read about grime this is what I imagined it sounded like. Since then I've been waiting for this record. Totally worth it. Favorite track: Mission.
Source Invisible
Source Invisible thumbnail
Source Invisible East Man utterly fucking slays it from start to end! Top selection of MC's make this record completely unbeatable- get into it! Favorite track: Can't Tell Me Bout Nothing.
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more


  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Red, White & Zero via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      £9.99 GBP or more 


  • Limited Edition LP
    Record/Vinyl + Digital Album

    Includes unlimited streaming of Red, White & Zero via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

Stratford 03:25
Drapesing 03:17


East Man is a new project from Anthoney Hart and its material predates his previous work as Basic Rhythm. His unique take on grime reduces the sound to its steely fundamentals, bringing in influences from dancehall, drum and bass and techno to gird the voices of the MCs he works with. His own name for this hardcore continuum mongrel is 'Hi Tek'.

Anthoney struck a friendship with the academic and theorist Paul Gilroy, who wrote the album introduction below, after starting personal research on representations of working class and mixed race families. He asked Paul for some help after coming across his work via Stuart Hall, Paul's mentor. Their discussions and friendship developed, and it dawned on Anthoney that his research and the East Man album had some synergy, so he asked Paul to write a piece conveying that.

- - -

London’s young people have been seen as a problem by governments for many generations now. Their distinctive street cultures stretch back into the nineteenth century when, just like today, a stylish public presence signified danger to respectable people. At that time, Britain’s class conflicts were being re-made amidst all the glorious fruits of a global empire. Divisions like class and sex had different shapes and tempos that hardly resemble the machinery of our increasingly networked and unequal world. Religion, racism and nationalism were all important, but work, exploitation and poverty supplied the fiery core of politricks.

These days, Britain’s imperial wealth and prestige are long gone. Today’s young people are excluded and marginalized, confined and criminalized, yet they remain at the heart of the vital, energetic best of our city. Their energy and imagination drive London’s convivial culture. They duck and dive just like their predecessors. They hustle, they suffer and they survive. Even where knives are common, most of the problems that come up get resolved without murderous violence. The defining experience of their precarious situation is more likely to be fear or anxiety than warfare between gangs. Their violence is more likely to turn inwards on to their loved ones and family members. There are many forms of self harm and self medication.

Yet the space in which those youthful lives unfold has contracted. The scale on which life is lived has shrunk. Moving around can be expensive. Surveillance is constant. Dignity and certainty are difficult to find and hold on to. It can be hard to feel comfortable outside the spaces and places you know best. Those familiar circuits are marked out by the roadside shrines of dead flowers that show just how vulnerable you can quickly become.

We have been losing London to Babylon but we are busy making a new place. The edges of the city have become fertile. The weeds grow up explosively between palisaded concrete boxes and the litter-strewn greenery. This is not zones 1 and 2 where houses and flats are capital rather than buildings to live in. The music that comes out of that edgy world isn’t what it was a generation ago, but it’s still fundamental--necessary for life.

These shocking sounds can be a part of healing and repair while staying faithful to the pressures that forged them. Musicians can’t make a living from their creativity, but their listeners can’t understand this historical moment unless they get to grips with its local rules, meanings and poetry. This is not America. Even without words, this music speaks for itself and tells a story. It calls out to be understood while seeking ways to escape interpretation.

We are always more than either this or that. We are more than either black or white. 

Paul Gilroy 2017.


released February 16, 2018


all rights reserved



East Man London, UK


contact / help

Contact East Man

Streaming and
Download help

Redeem code

Report this album or account

If you like East Man, you may also like: